/24-7PressRelease/ - SANTA FE, NM, June 08, 2008 -- The Saturn rocket lit up the night sky like a torch on Dec. 7, 1972. In a brilliant flash it left the launch pad.
The last mission, Apollo 17, was now on its way to the moon.
The glow of 74 searchlights at Cape Canaveral added to the magic. The blast could be heard from 50 miles away. Half a million Americans were on hand for the grand finale.
History was unfolding right before the world's eyes. Everyone knew it.
Gene Cernan, the flight's commander, would set the Lunar Module Challenger down on the eastern shore of the moon's Sea of Serenity. The landing site was a flat-floored valley four miles wide, bordered on three sides by high mountains. It was a spectacular setting for an unearthly journey.
The landing site was picked because older and younger rocks than those previously returned from Apollo missions might be found. Compared to earlier flights, Apollo 17 astronauts traveled the greatest distance using their Lunar Roving vehicle.
They also brought back the largest amount of rock and soil samples, shot more film and collected more data.
Cernan wanted to take back what it felt like to be on the moon. He knew he would be the last man there for a long time. In the end over 200 pounds of moon came back with him.
How do you top an experience like walking on the moon? Cernan said you don't. Encores fall so short. He was able, however, to powerfully communicate his experience to audiences all over the world through his lectures.
"It's our destiny to explore. It's our destiny to be a space-faring nation." That was Cernan's ultimate message.
On March 25, a selection of Gene Cernan's flown space objects were offered for sale in Heritage Auction Galleries, Dallas, Texas, Air & Space Auction.
A flown space pen used during the flight and carried in Cernan's spacesuit pocket sold for $23,900.
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Rosemary has provided auction coverage and analysis on thousands-and-thousands of antiques and collectibles sold since the column started 16-years ago. She includes auction sale results to give readers a feel for what their treasures are worth because the power of auctions is simple.
When the bidding stops and the hammer falls, the value of an item is set. The buyer, not the seller, sets the price, and this simple distinction cuts through all the chitchat about what art, antiques and collectibles are really worth. The emphasis is on today's values, not yesterday's wishful thinking.
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Rosemary is the co-author of The Official Price Guide to Fine Art published by Random House and received her training in the trenches working as a professional appraiser and weekly columnist.
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